It's important to note that the universe is noisy, and noise prevents a true continuum of possible sounds. There are also many other constraints to hearing -- minimum and maximum loudness levels, frequency limits, etc. -- that contribute to bounding the number of possible differentiable and perceivable sounds. And if we take these limits and compare them quantitatively with the limits of digital audio, we find that CD quality is very close to the limit of audible information. If we increase the quantization level to 24 bits (where CD is 16-bit samples), then there are more possible digital recordings than audible ones.Over 2 seconds of binary information describing an audio wave, there are a discrete number of voltage fluctuations that can be signified, but yet essentially infinite combinations of sounds it could be reflecting in reality.
I like "wavelings" as an unambiguous term for the component waves."wavelings" ("sub-waves", "constituent" waves, whatever term)
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