djsfantasi
- Joined Apr 11, 2010
- 9,237
Ive always loved this piece. From its beginnings as orchestral psychedelia experiment to its commercialization in the sound track of The Exorcist.
He is great.Ive always loved this piece. From its beginnings as orchestral psychedelia experiment to its commercialization in the sound track of The Exorcist.
I had forgotten the names of some of his other releases… like (sp?) Ommawodawn
I'd like to express retroactive thanks to you for this. The song itself did not profoundly affect me, but it sowed a seed of uncertainty into my youtube AI's understanding of my musical preferences because I followed it down a rabbit hole of Russian music. Listening to Russian folk songs led to folk songs from other countries, which led to other genres of international music, and eventually led back to my primary staple, Metal; but Metal with much diversity infused.This song came out the year I was born. It has been translated into english a few years ago with author's help.
It is ok, but is very light. The original lyrics are quite a bit more meaningful. I forgot about it until last week really. I dont remember why we crossed paths again but it made me cry (at my work). It is really about preserving your life through struggles by holding up your beliefs, dreams and convictions. They are what is carrying you through the sea of life safely...
The original:
I love that mongolian band! Glad you followed the rabit hole. The first band is from my home cityI'd like to express retroactive thanks to you for this. The song itself did not profoundly affect me, but it sowed a seed of uncertainty into my youtube AI's understanding of my musical preferences because I followed it down a rabbit hole of Russian music. Listening to Russian folk songs led to folk songs from other countries, which led to other genres of international music, and eventually led back to my primary staple, Metal; but Metal with much diversity infused.
I would like to share a few steps along the musical journey that I've been down these past few months thanks to you. I will be sure to say which ones make me smile and which ones don't, in case that's all this thread is really about.
Makes me smile:
Can't stop listening to it, although no smiling (not metal despite what the thumbnail alludes - powerful song - you should listen despite your tastes):
Makes me smile:
Germans with bagpipes, flutes, and hurdy-gurdy to a video of viking themed marriage ceremony attended by wikkans and druids. What more could you ask for in a metal song? The absurdity of it makes me smile but the song actually kicks ass.
And finally, Mongolian metal with throat singing. I never would have guess that was a thing (not a smiley song):
This is but a tiny sampling of what I've been listening to; my musical world has been thrown into upheaval.
Happy baby R!f@@. Glad your still around and good to see you post again.Hey Guys.
Today is our fisherman's day. Since we were and still are fisherman's.
Somewhat related to topic or may be not.
Thought I will share this with my old friends
https://fb.watch/9OOnKuG7ki/
PS: I got a baby boy. 3 days old now.
Note: Posting using phone...so a bit difficult. By the way the song is dedicated to the wives of the fisherman's.

What O’Day himself dubbed his “clone army” only wound up fighting a few minor skirmishes: a handful of TV appearances, and gigs at clubs, state fairs, and casinos, earning enough notoriety to have possibly inspired not one but two Saturday Night Live parodies. (The first was a 1981 skit about a sleazy Rock and Roll Heaven marketing company, featuring Eddie Murphy, that made a joke about “the Three J’s — Jimi Hendrix, Janis Joplin, and Jim Croce.”) In 1978, the clone tour was cited in Rolling Stone’s year-end issue, under the header “The Brides of Funkenstein.” (“Two aspiring women performers underwent plastic surgery: one to look like a female Elvis; the other, Janis Joplin.”) But almost as soon as it arrived, Rock and Roll Heaven imploded, and O’Day became the smallest of footnotes in pop history books. A.J. Croce hadn’t heard of the tribute until contacted by Rolling Stone, and neither the Joplin estate nor the surviving members of the Doors remember these “clones” from more than 40 years ago.
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