ThanksYes, they are directly connected to each other and to ground.
I agree. WithI dislike schematics that don't have dots at the connection junctions.
It leads to ambiguity, as this schematic shows, since the strict convention is that only the left diode is connected to ground as shown.
Yeah it make it difficult to understand. From what I've learnt as rule is that without a dot there is no connection.I dislike schematics that don't have dots at the connection junctions.
It leads to ambiguity as this schematic has, since as shown, the strict convention is that only the left diodes are connected to ground.

Everyone has their preference. Of my drawings the one I most often use is the fourth drawing (the right most drawing). The second most used is the second drawing from the left. The reason I use the second one at all is because sometimes you have to draw a schematic with lines that must cross. When it comes to dots (the first drawing) I find too often I mis-read them. That's just my preference. If I can draw it without lines crossing then I do. If I must show lines that do not intersect (connect) then I use the bridge. It's what I learned way back in high school, and yes, they had high schools way back then.Starting with Tony's post, I recommend not to use his third example, wires crossing and connecting with a dot. Better to offset one wire so the group now is two T connections (zero ambiguity) with dots on both (belt and suspenders).
Yeah I agree. The sound wasn't great. I was just after a simple diagram to build a distortion pedal and in turn that's what I got. I'll be tackling more complex circuits in the future.I built this up last night & I think it sounds like crap. The only difference is that I buffered the output of the tone pot & ran it straight into a headphone amp.
I thought the idea seemed interesting, distorting the highs & lows separately then blending them back together, but it was a one-trick pony to me. No variation in the sound.