It depends on what you meant by "it": an ideal CCS has an infinite output impedance - or it wouldn't be ideal.it still presents a low impedance right?
It depends on what you meant by "it": an ideal CCS has an infinite output impedance - or it wouldn't be ideal.it still presents a low impedance right?
Did you miss this one?At DC but what about AC?
I think what you are after is a fixed quiescent current but then a large voltage swing for the signal.Here's the AC impedance at 100ma which is the maximum I'm going to allow to the load
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If a constant current source is supposed to have a high output impedance but this current source has a low output impedance but with seemingly stable current then isn't that a paradox?
Isn't the point of a regulator to suppress things like AC voltage swings?I think what you are after is a fixed quiescent current but then a large voltage swing for the signal.
I have no idea what you meanDo you want to drive it with a d to a or several steps?
Yeah but no digital control is a killer. Besides I'm going to need a voltage regulator to switch between as well so I'm killing two birds with my CCS shunt reg.PS. Did you notice it uses your fancy FETs?
Yes, normally, but in this case the AC represents your music. The DC just sets the load current for the tube.Isn't the point of a regulator to suppress things like AC voltage swings?
You said you wanted digital control. That means it comes in steps.. How many steps?I have no idea what you mean
I'm no tube guy, but if you read the article you can see the advantages. I'm pretty sure I couldn't hear it, but some people might.Yeah but no digital control is a killer. Besides I'm going to need a voltage regulated to switch between as well so I'm killing two birds with my CCS shunt reg.
Except during the notes on those transients the load line is effectively altered because the voltage is altered which alters the sound as well. The AC voltage should remain fixed. The current...I don't know. I don't think I understand what it means for an AC signal to meet a "infinite" or low impedance and how/why it matters.Yes, normally, but in this case the AC represents your music. The DC just sets the load current for the tube.
I need control of microvolts on the opamp input so I'm guessing a 16 bit DAC should do it perhaps.You said you wanted digital control. That means it comes in steps.. How many steps?
Constant current source loads are very noticeable to hear. I have a gyrator design that performs even better than the CCS you linked though, which I will also have on my "switch".I'm no tube guy, but if you read the article you can see the advantages. I'm pretty sure I couldn't hear it, but some people might.
You cannot have constant current and constant voltage in the same changing load.
I think that is what it is all about. If you put a resistor in the plate as is normal it is not linear crossing the load lines. If the tube current is constant all the voltage swing is reproduced across the CCS.Except during the notes on those transients the load line is effectively altered because the voltage is altered which alters the sound as well. The AC voltage should remain fixed. The current...I don't know. I don't think I understand what it means for an AC signal to meet a "infinite" or low impedance and how/why it matters.
Hmmmm, I don't think that applies for the cathode since a sag in cathode voltage would affect the bias since the grid is referenced against the cathode voltage but perhaps for the plate you are right. Although I need to have the ability to switch between constant current and constant voltage, meaning I'll need to switch in and out the bypass capacitor in that case, maybe via relay or something.I think that is what it is all about. If you put a resistor in the plate as is normal it is not linear crossing the load lines. If the tube current is constant all the voltage swing is reproduced across the CCS.
I'm still wondering what exactly you mean by this.I'm sure there is a way to interface a D to A to it.
I guess it depends on where you take the signal from - plate or cathode. See examples here:Hmmmm, I don't think that applies for the cathode since a sag in cathode voltage would affect the bias since the grid is referenced against the cathode voltage but perhaps for the plate you are right. Although I need to have the ability to switch between constant current and constant voltage, meaning I'll need to switch in and out the bypass capacitor in that case, maybe via relay or something.
I'm still wondering what exactly you mean by this.
Whoa whoa, I don't know what you mean by two days but I don't want you to spend a lot of effort on it, especially when I might not need it. What advantage does your design offer vs mine?I came up with a suitable electronic circuitry with digital control. It consists of an operational amplifier, a bipolar transistor, the transistor depletion mode, DAC, optocouplers, a timer, a simple transformer, a few diodes, resistors and capacitors. If you wait a two days I will send circuit and simulation file for LTspice.
I scanned through it but I couldn't figure out what "d" and "a" is.In the constant current plate circuit you said you wanted to digitally control it. That is what I mean by interfacing a D to A to it.
Let us know how it turns out!Yeah that's what I figured. But I can't understand what he means by implementing a D/A to it, especially since I already explained my plan for D/A.
That's never a problem for the golden-eared music-lover .the problem is the price tag
I said 1200 to 1300v It's a bipolar supply so it's still going to be 600v. I might make it 650v per rail for headroom.So you're now going for a >1800V DC supply? Bit of a jump from 600V!
I wish. Don't you need like a million volts to get a plasma speaker to do 20hz-20khz?What sort of speakers will you be using for this monster audio amp? Plasma?