If you did that, where would you connect C3?Yes, but if R4 was between R1 and R2, then R4 and C3 would STILL form a LPF for the PS. Right? What am I missing?
If you do that, you inject all the noise from the supply back into the signal.Connect it like this is what I'm wondering, with R4 between R1 and R2 so that R2 and R3 form a proper 1/2 supply. C3 and R1 are still connected the same way.
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Imagine your supply is not simply 9V DC, but 9VDC plus 100mV AC at 50kHz. You can simulate that in SPICE.Well, I don't necessarily understand it, but I do believe you. Beyond my understanding at this point. Thanks for the explanation.
OK, so if R4 and C3 form a power supply low pass filter for the mic and opamp signal input, then what is C1 for? It doesn't have a resistor to pair with for a filter.Because R4 and C3 form a low pass filter for the power supply, that gets rid of any ripple on the battery supply caused by the op-amp having to drive an external load.


What would cause helicopter sounds? I know I need to make a metal box, that's the next step.If you delete the very low cost of R10 and connect R11 to the R3 and R4 divider then you will still have some positive feedback (through R2POT) even with C5 and C9 connected. The result might be motor boat (put, put, put) sounds.

No I don't have an O-scope, but I'd like one. I have an assortment of caps you suggest. What terminals would I jumper with them?That sound might be some portion going into s high frequency oscillation, building until it saturates and blocks itself. How about bypass capacitors right at the amplifier terminals. Those little 0.1 or 0.47 Mfd small ones? Cheap and easy to add under the PCB and known to solve strange problems. If you have an oscilloscope that could make the diagnostics much simpler.

Based on this pinout, the supply terminals are #4 and #8, both marked Vcc.No I don't have an O-scope, but I'd like one. I have an assortment of caps you suggest. What terminals would I jumper with them?
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