Hi, I have a burning question regarding the nature of harmonics and sound. Specifically, I want to know the mechanism by which any given timbre of a musical instrument (or speaker) displaces atoms / molecules as it travels through space. I have a background in biology and chemistry but am weak with my physics so please bear with me. I'll try to articulate my question by using two examples though it may be difficult to understand what I am asking. I'm making assumptions here so please correct me along the way. I'll start with defining timbre as the fundamental + all harmonic content.
(1) Consider a pure sine wave with the fundamental frequency of 440Hz played on a speaker with no apparent harmonic content: I imagine the molecules of air moving back and forth in synch with the speaker because the pressure wave originated from the direct physical motion of the speaker. The air molecules undergo continuous compression and decompression in response to the wave front because they are coupled in 3D space. Since there is a single frequency, I posit the axis / orientation of the movement of molecules to remain static. This explanation seems simple enough to build on but may be flawed.
(2) Now consider plucking the A string of any old guitar with the fundamental frequency of 440Hz and random harmonic content: What is the motion of air molecules now? I speculate this could take one of several forms:
A - The timbre as a whole assumes a pseudo fundamental frequency that is an oscillation itself between the fundamental and all harmonics. Not only does the amplitude oscillate but the frequencies as well. I imagine this something like frequency modulation with the frequencies somewhat out of phase. The axis / orientation of air molecules remains static but their frequency changes with time.
B - Each atom has a specific frequency response. As the timbre travels through the air, the fundamental and the harmonics propagate in phase. I can't really get my head around what this would look like but I imagine it as some atoms oscillating in the X axis while others in the Y axis etcetera. The degrees of freedom (of each atom) are activated in phase in direct proportion to each (compatible) harmonic. This explanation makes more sense to me because each atom has unique spectral data and molecules assume different conformations.
I'm particularly interested in how molecular geometry changes (if at all) in addition to axis / orientation. So, this is a question about the waveform itself and matter's theoretical response. I understand what I'm asking is in the realm of advanced physics and chemistry so I may not get the answer I'm looking for. I prefer a mechanistic answer so don't spare the mathematics if necessary. Thanks for the help.
(1) Consider a pure sine wave with the fundamental frequency of 440Hz played on a speaker with no apparent harmonic content: I imagine the molecules of air moving back and forth in synch with the speaker because the pressure wave originated from the direct physical motion of the speaker. The air molecules undergo continuous compression and decompression in response to the wave front because they are coupled in 3D space. Since there is a single frequency, I posit the axis / orientation of the movement of molecules to remain static. This explanation seems simple enough to build on but may be flawed.
(2) Now consider plucking the A string of any old guitar with the fundamental frequency of 440Hz and random harmonic content: What is the motion of air molecules now? I speculate this could take one of several forms:
A - The timbre as a whole assumes a pseudo fundamental frequency that is an oscillation itself between the fundamental and all harmonics. Not only does the amplitude oscillate but the frequencies as well. I imagine this something like frequency modulation with the frequencies somewhat out of phase. The axis / orientation of air molecules remains static but their frequency changes with time.
B - Each atom has a specific frequency response. As the timbre travels through the air, the fundamental and the harmonics propagate in phase. I can't really get my head around what this would look like but I imagine it as some atoms oscillating in the X axis while others in the Y axis etcetera. The degrees of freedom (of each atom) are activated in phase in direct proportion to each (compatible) harmonic. This explanation makes more sense to me because each atom has unique spectral data and molecules assume different conformations.
I'm particularly interested in how molecular geometry changes (if at all) in addition to axis / orientation. So, this is a question about the waveform itself and matter's theoretical response. I understand what I'm asking is in the realm of advanced physics and chemistry so I may not get the answer I'm looking for. I prefer a mechanistic answer so don't spare the mathematics if necessary. Thanks for the help.